Spin Cycle 25.21 Spin Cycle 25.21

Spin Cycle 25.21

Agnes Denes — Wheatfield — A Confrontation

Denes’ Wheatfield — A Confrontation is one of ten case studies in Lauren O’Neill-Butler’s timely new book, The War of Art: A History of Artists’ Protest in America. Published amid renewed political activism, the book explores how artists have long used their work as a tool for justice and change.

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Yoshitomo Nara — Hayward Gallery

The sweet yet fierce world of Yoshitomo Nara takes center stage in his first major UK solo exhibition at London’s Hayward Gallery, showcasing four decades of paintings, sculptures, and a powerful installation.

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Max Manavi-Huber — Kinetics

Using natural light and shutter speed to build suspense and dramatic forms, Max creates scenes that feel otherworldly—moments where adrenaline junkies appear to defy gravity. With a background in graphic design, he's developed a keen eye for white space, motion, and human form, all of which shape his striking campaigns. “I’m always chasing new angles and pushing myself into uncomfortable positions to capture something unique,” Max says. “I try not to repeat myself.”

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28 Years Later

When 28 Days Later premiered in 2002, it introduced a chilling new vision of everyday horror, with Cillian Murphy wandering through eerily abandoned London streets—emptied by a deadly zombie virus.

Fast forward to March 2020, and fiction turned to reality as the Covid pandemic rendered the capital a ghost town. In the film, Oxford Street was lined with "missing" posters; today, a memorial wall faces Parliament, honouring the 200,000 lives lost in the UK. Danny Boyle talks on his experiences with 28 Years Later:

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Aneil Karia/Stormzy — Big Man

Big Man, a new film on Apple TV, tells the story of Tenzman, a world-weary musician whose life is unexpectedly changed when two bright, determined kids enter his world. Their journey together rekindles his lost sense of warmth and hope, revealing a better future for them all. Shot entirely on an iPhone, director Karia describes the process as "invigorating," noting that the device’s small size and flexibility allowed for a more intimate connection with the characters than traditional cameras typically permit.

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