A disposable camera raffle raising funds for Gaza, the Milky Way uniting photographers across the globe, a Mancunian typeface, 'It'sNiceThat' opening the doors to the next generation of creatives & Alex Chinneck's bricks & mortar take centre-stage in this Spin Cycle.

Airdura is a bold, immersive theme designed to elevate creative portfolios through elegant typography, striking imagery, and over twenty versatile layouts. Whether highlighting a single hero piece or curating an expansive body of work, Airdura adapts seamlessly—making it the ideal all-rounder for creatives seeking both style and substance.

Real-world showcases, like Jordan’s balanced visual rhythm or Ben Joiner’s hero-led focus, reveal just how effortlessly Airdura molds itself to individual creative direction

Nadia Lee Cohen & Martin Parr collaborate to build a narrative around Julie the babysitter, Keith Loutit captures Singapore like nobody has before, BUCK show us a hilarious doomed human response to an alien invasion for Netflix's 'Love, Death & Robots', Constance Jaeggi captures strength & grace whilst Dave Rowntree's new book showcases the early days of Blur on an OM-10.

Catch it in Spin Cycle.

Welcome to Spin Cycle 25.16 where we explore Hong Kong's heights with photographer Romain Jacquet-Lagrèze, an atmospheric debut from Thom Yorke & Mark Pritchard, an alternative view of the funeral of Pope Francis through the eyes of Benjamin Eagle, the transformative use of bamboo captured by Gatuko Tano & bold compositions from Muhammad Fatchurofi.

Maya Sigel is a production designer from Austin, Texas, with quite the established back catalogue including work for projects on Apple TV & Netflix. We caught up with Maya to discuss her work on the upcoming Karate Kid Legends.

Ryan Coogler's vampire-lead Hollywood ownership, Joshua Rozell's alarming yet beautiful imagery, The Museum of Transology, OK Go's kaleidoscopic new video & this year's Rock & Roll Hall of Fame inductees take centre-stage in this edition of Spin Cycle.

In 2020, as the world went into lockdown, Daire made his first short documentary, For Emergency Use Only, for The New Yorker. Inspired by childhood memories that echoed the fear and uncertainty of the pandemic, the film went on to premiere at the Galway Film Fleadh in 2021. In this interview, Daire talks about the story behind the film and what drove him to make it.

Theo Cottle explores Bulgarian folk traditions, Patrick Smith parodies the ubiquity of modern pharmaceutical use, a new gallery is set-up to celebrate the work of Gabriel Moses, Daire Collins explore childhood fear & ANTIHERO expose the manipulation of hip-hop lyrics in western courts.